Triakel http://triakel.com/ Thu, 19 May 2022 20:13:26 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://triakel.com/wp-content/uploads/2021/10/cropped-icon-32x32.png Triakel http://triakel.com/ 32 32 Jazz: South African Shane Cooper and his group Mabuta abolish borders https://triakel.com/jazz-south-african-shane-cooper-and-his-group-mabuta-abolish-borders/ Wed, 18 May 2022 08:15:55 +0000 https://triakel.com/jazz-south-african-shane-cooper-and-his-group-mabuta-abolish-borders/

Even the UK’s annual BBC Proms will dedicate an evening to the South African Songbook this year, with trumpeter Marcus Wyatt leading the international Metropole Orkest and the vocals of South African singer Siyabonga Mthembu and the Zimbabwe-born British singer/songwriter ESKA.

Of course, such exposure is not without precedent. South African painter Gerard Sekoto was playing jazz in Parisian bars in the late 1940s. The international careers of Miriam Makeba, Abdullah Ibrahim and Hugh Masekela are just the best known of a group of musicians who sought apartheid exile. The South African group Blue Notes had a massive influence on European jazz scenes from the 1960s.

There are risks in being ‘in’ – not least that straitjackets of international public perception can be created about what ‘South African jazz’ is. Many international storefronts today have a nostalgic focus on great names from the past such as Makeba and Masekela. However, multiple legacies inform the sound of South African jazz and contribute to the rich lexicon from which it can draw. But none of them define it.

Today, South African jazz is expressed through multiple and diverse voices. Its internationalism, thankfully, is no longer driven by hideous repression at home and, in the digital age, does not always even require physical travel. An example (and there are many) is the new album Gone is the sun of Mabuta, led by bassist Shane Cooper.

Gone is the sun is just the latest demonstration of how South African jazz simultaneously looks inwards and outwards and communicates with listeners and other players around the world.

Gone is the sun

Mabuta takes its name from the Japanese word meaning “eyelid”, opening a door between the conscious and the unconscious. Liminality – the crossing of borders and the questioning of borders – was on Mabuta’s agenda from his first release Welcome to this World (2018). Cooper himself is a bass player who also jumps the boundary into electronic club music; the 2018 staff were all South African, with the addition of British saxophonist Shabaka Hutchings.

On this 2022 release, South Africans Cooper (on guitars and synths as well as bass), keyboardist Bokani Dyer, trumpeter Robin Fassie and reeds Buddy Wells and Sisonke Xonti work with guest drummers from Switzerland (Julian Sartorius, Arthur Hnatek and Mario Hänni); Sweden (Christopher Castillo); the Netherlands (Jamie Peet); Lungile Maduna (South Africa); and André Toungamani (Senegal), some recorded remotely.

Like its predecessor, Gone is the sun is “a bassist album but not a bass album”. Cooper created all the compositions but the instrumental solos come from everyone else – although the track “Spirit Animal” is the epitome of Cooper. It’s never clear if he’s the bass’ spirit animal or his own. His concept sounds as much through his guitar as through his use of effects and washes. These shape the mood of the eight tracks, sometimes creating a feeling that irresistibly invokes a time or place.

The album employs markers of national identity in surprising and often subtle ways, so that it speaks fluently across all musical boundaries. Nonetheless, it taps deep into our lexicon.

The first two numbers, the title track and “Where the Heart Is”, are where South Africa speaks most explicitly. The title words can’t help but recall the classic song ‘Lakutshon ‘Ilanga’ (When the sun goes down, I’ll remember you). Here, the album notes say, he’s alluding to “the energy (which) was felt by all the musicians in a way that made it feel like we were in the same room after finishing a bit of sun together”. It is a fast, cyclical and galloping sound from the Eastern Cape, but which combines modernity and tradition in its juxtapositions of electronic and instrumental voices. “Where the Heart Is” keeps the beat going, with a classic South African bassline, call and response, and choruses behind the solos; he can’t wait to get home.

In contrast, ‘Umshana’ carries a South African afro-soul era vibe, with Xonti’s solo channeling the spirit of saxophonist Basil Manenberg Coetzee, while ‘Kucheza’ has Dyer’s organ reminding us of Black Moses and the Soul Brothers, and Cooper’s bass reminiscent of bassist Bakithi Khumalo. None of these quotes are obvious. Rather, the musicians use a pinch of this and a pinch of that to take a trip back in time where South Africans will recognize the landscape.

But if you’re in a club in Basel, you can simply savor the magnificent rhythmic complexity of ‘Umshana or the chime, guitar and cheerful touches of ‘Kucheza: you don’t have to have been where we’ve been . You don’t need to know Johannesburg to recognize Joburg Poem’s brooding urban vibe either; Cantillo’s Swedish percussion captures his feelings perfectly.

Rather than retreating behind idiomatic musical boundaries or expending energy explicitly combating them, Mabuta simply renders them irrelevant.

In many ways, this is the essential legacy of South African jazz on its international travels from the 1940s. And that, rather than any external definition, whatever the prestigious platform, is what continues to make the music breathe and grow in a vibrant way.

Gwen Ansell is an associate at the Gordon Institute for Business Science at the University of Pretoria. This article first appeared on The Conversation.

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Agnetha Fältskog’s health: “We are struggling” – the ABBA star talks about the group’s “discomfort” https://triakel.com/agnetha-faltskogs-health-we-are-struggling-the-abba-star-talks-about-the-groups-discomfort/ Wed, 18 May 2022 07:31:00 +0000 https://triakel.com/agnetha-faltskogs-health-we-are-struggling-the-abba-star-talks-about-the-groups-discomfort/

In the throwback interview, Fältskog suggested that their upcoming four-year residency in a custom-built London arena and accompanying album Voyage could be the last time fans hear the band together, since their original split. in 1982. Even though the tour, which is scheduled to begin on May 27, 2022 at Queen Elizabeth Olympic Park has the potential to run for an extended period of time, the original members of ABBA will not be seen in person, instead of so -called ‘Abbatars’, which sound like the band did in the 1970s, will take their place to create an ‘immersive digital concert experience’. When asked when the four would appear together in person, Fältskog replied, “I dare not really say.”

Speaking on Swedish radio at the time, she continued: “We are a bit older now and have our little ailments. We struggle. But I dare not say it, because it is a bit uncertain.

“At the moment we’re happy to have it all together and hope everything goes well in London when it premieres there.”

Not divulging more details about the band’s health issues, Fältskog went on to explain exactly how the quartet created the virtual show, she said, “None of us probably knew what to expect, but we have a lot worked with, so you grow into it eventually. We’re out there making these songs with… I don’t know how many cameras and people.

“It was great to do it at the end because it was so different.

READ MORE: Bowel cancer: Deborah James on early symptoms – ‘I knew there was something wrong’

“There was also a vibe, it felt like maybe it was the last thing we did. Same thing with the album.”

With hints the project could be the last they’ve ever done, the star said they remain friends. Despite some turbulence in the past, they “get along very well” and have “enjoyed hanging out a lot”.

The band’s reunion comes after Fältskog faded from the public eye in 1982, shortly after the band disbanded. As a self-proclaimed ‘recluse’, the star admitted she felt like the ‘black sheep’ of the group, as at the height of their fame she was cursed with a fear of flying and the guilt she felt when leaving his young children.

In a 2013 interview, she said, “I may have been a recluse for a few years. I was so tired after Abba was over and just wanted to be quiet and with my kids.

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“I got married, I was in Abba, I had my children, I divorced, all in 10 years. I wonder how I managed, but I was young.

After the band broke up, nothing more was heard of Fältskog, creating a media frenzy that speculated about the reasons for his disappearance.

“I was Abba’s black sheep,” the singer continued. “The others were more sociable. I didn’t like going out or partying. But it wasn’t as dramatic a story as the one that was painted. I wasn’t hiding, but I went and hid of this life because I needed this.

“I was very tired after the whole Abba period. I needed a break because it had been so exhausting. There were a few years when I didn’t listen to Abba music at all – I just couldn’t.”

In addition to feeling physically exhausted, Fältskog developed a crippling phobia of flying while the band was touring the United States in 1979. It was during an incident where their plane had to make an emergency landing after being hit by a tornado that the fear of Fältskog was born. .

“It stopped me from flying,” she recalls. “I try not to think about it, because it was terrifying. The pilot failed to land on the first attempt, but we landed on the second attempt.

“I was already scared, but this event was the turning point. It’s been so many years since I’ve flown and Björn and Benny and Frida have traveled more. There were pictures of the three without me and they called me the recluse.

“I had to go to therapy for my fear, it’s better but it takes a long time. I can fly now for two or three hours, but no more. It was bad before, so this terrible theft didn’t make it any better. It was a terrible thing to go through and I try not to think about it.

The NHS explains that phobias can become extremely debilitating and can arise in relation to an object, place, situation, feeling or animal. They usually develop when a person has an exaggerated or unrealistic sense of danger about a specific trigger.

If a phobia becomes very severe, a person can organize their life by avoiding the thing that is causing them anxiety. Apart from restricting their daily life, it can also cause a lot of distress. For this reason, phobias are classified as a type of anxiety disorder.

Potential symptoms that can occur when a person comes into contact with the source of the phobia include:

  • Unstable, dizziness and lightheadedness
  • Nausea
  • Sweat
  • Increased heart rate or palpitations
  • Shortness of breath
  • Trembling or shaking
  • An upset stomach.

Specific or simple phobias focus on a particular object, animal, situation or activity. While complex phobias tend to be more disabling. They usually develop in adulthood and are often associated with deep-rooted fear or anxiety about a particular situation or circumstance. Due to the different nature of the two types of phobia, treatment methods may also differ.

Simple phobias can be treated with gradual exposure to the object, animal, place, or situation that causes the fear and anxiety. This is called desensitization or self-exposure therapy. Treatment for complex phobias often takes longer and involves talking therapies, such as:

  • Tips
  • Psychotherapy
  • Cognitive-behavioral therapy (CBT).
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Top Missing Someone You Love Hits – Billboard https://triakel.com/top-missing-someone-you-love-hits-billboard/ Tue, 17 May 2022 22:02:02 +0000 https://triakel.com/top-missing-someone-you-love-hits-billboard/

Some say we are the sum of the people who have touched our lives. In our lifetime we come across thousands of people – most of them must inevitably part with us, but some remain, and still others leave a permanent mark. We miss the people who are no longer around, reliving the moments over and over again, trying to keep a fleeting part of ourselves. So Billboard has compiled a list of the best “I Miss You” songs for you to fill that emotional void as you reminisce about a cherished past.

In this list, you can find Mariah Carey’s longest running No. 1 hit and a deep romantic movie soundtrack. It includes tracks you can cry over — like Beyoncé’s “I Miss You” and Sinéad O’Connor’s cover of Prince’s “Nothing Compares 2 U” — and bops to get you up and dancing, like Janet’s. Jackson. “Miss You Much” and “Miss You” by the Rolling Stones. Drake also made the cut with his “Marvins Room” and Bill Withers with his unexpected hit “Ain’t No Sunshine.” Alternative rock bands like National, blink-182 and Incubus make appearances alongside the Beatles and Aerosmith. Of course, a list like this wouldn’t be complete without Pink Floyd’s ode to Syn Barrett, “Wish You Were Here.” When you miss someone, whether it’s an ex you can’t get over, a friend who’s moved away, or someone who’s passed away, here are 15 songs to help you feel like you’re not there. only.

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Breakout British Band Sports Team Release New Single “The Game” https://triakel.com/breakout-british-band-sports-team-release-new-single-the-game/ Tue, 17 May 2022 19:51:18 +0000 https://triakel.com/breakout-british-band-sports-team-release-new-single-the-game/

Today, groundbreaking British band Sports Team debut their new song, ‘The Game’, which originally premiered on BBC Radio 6. Alongside this, the band present an accompanying video, featuring the punk legend 70s cult John Otway as frontman Alex Rice. series of surreal ordeals.

About the song, the band explains, “It’s a mantra for a nation of owners… Something to mumble behind electric doors as the world burns around you. It’s that island mentality, where someone one has allowed himself to believe that the news is what happens to others.”

The new track will appear on the band’s highly anticipated new album, Gulp!, due out August 12 via Island UK/Bright Antenna. “The Game” follows the release of “R Entertainment”, the debut single from Gulp!, which was released as BBC Radio 1’s Hottest Record in the World last month.

After a sold-out UK tour with the Wombats, Sports Team confirm a series of European dates and festival appearances throughout the summer. More US tour dates will be announced soon, while the full tour itinerary can be found below.

Sports Team consists of Alex Rice (vocals), Rob Knaggs (rhythm guitar, vocals), Henry Young (lead guitar), Oli Dewdney (bass), Al Greenwood (drums) and Ben Mack (keyboards, percussion).

Formed in 2016, the band released two EPs, Winter Nets and Keep Walking!, before sharing their 2020 Mercury Prize-nominated debut album Deep Down Happy, which reached No. 2 on the official UK charts. achieving the highest vinyl sales for a debut album. British artist that year.

Rolling Stone hails: “The crisp, jagged tunes of their debut album, Deep Down Happy, are reminiscent of Franz Ferdinand or the early Arctic Monkeys; their oddly angled guitars may evoke Pavement or Silkworm; their clever critiques of British life are reminiscent of Pulp and the Kinks; and vocalist Alex Rice’s vociferous style has undertones of Art Brut’s Eddie Argos and Autumn’s Mark E. Smith. It’s all evoked with a sense of humor brimming with good humor, so that they look like they’re having fun even when they’re pissed off.The album bounces around with the logic of a free-for-all pub debate.

Sports Team’s vivid vignettes of modern Britain and inspections of youthful follies, foibles and frustrations have earned them a passionate fanbase, a true community that comes together at the band’s electrifying and infectious gigs.

Listen to the new single here:

Tour dates

June 3-Eiland Buitenvest-Hulst, Netherlands
June 4-Temple Newsam-Leeds, UK
June 16-Bergenfest 2022-Bergen, Norway
June 17-Sofienbergparken-Oslo, Norway
July 6-Mad Cool Festival 2022-Madrid, Spain
July 14-Super Bock Super Rock 2022-Sesimbra, Portugal
July 29-Edinburgh Academicals Sports Ground-Edinburgh, UK
August 5-Bute Park-Cardiff, UK
August 27-Victorious Festival 2022-Portsmouth, UK
September 8-Sacaba Beach-Málaga, Spain
November 4-Exile-Zurich, Switzerland
November 6-Chelsea-Vienna, Austria
November 9-Privatclub-Berlin, Germany
November 13-Debaser Hornstulls Strand-Stockholm, Sweden
November 14-Parkteatret Scene-Oslo, Norway
November 16-Molotow-Hamburg, Germany
November 17-Helios 37-Köln, Germany
November 21-La Boule Noire-Parisa, France

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Equity Research Analyst Downgrades for May 16 (ACM, ADDYY, BAND, BHOOY, BNOX, CIX, CIXX, CME, CNO, DCOM) https://triakel.com/equity-research-analyst-downgrades-for-may-16-acm-addyy-band-bhooy-bnox-cix-cixx-cme-cno-dcom/ Mon, 16 May 2022 17:51:49 +0000 https://triakel.com/equity-research-analyst-downgrades-for-may-16-acm-addyy-band-bhooy-bnox-cix-cixx-cme-cno-dcom/

Equity research analyst downgrades for Monday, May 16:

AECOM (NYSE:ACM) was downgraded by StockNews.com analysts from a buy rating to a hold rating.

adidas (OTCMKTS:ADDYY) was downgraded by BNP Paribas analysts from an outperform rating to a neutral rating.

adidas (OTCMKTS:ADDYY) was downgraded by Exane BNP Paribas analysts from an outperformance rating to a neutral rating.

Bandwidth (NASDAQ: BAND) was downgraded by Robert W. Baird analysts from an Outperform rating to a Neutral rating. The company currently has a target price of $25.00 on the stock, down from its previous target price of $38.00.

boohoo group (OTCMKTS:BHOOY) was downgraded by analysts at Credit Suisse Group AG from an outperform rating to a neutral rating.

Bionomics (NASDAQ:BNOX) was downgraded by Evercore ISI analysts to an outperform rating.

CI Financial (TSE: CIX) was lowered by analysts at the Royal Bank of Canada to a holding rating. They currently have a target price of C$19.00 on the stock.

CI Financial (NYSE:CIXX) was downgraded by Royal Bank of Canada analysts from an outperform rating to a sector performance rating.

CME Group (NASDAQ:CME) was downgraded by Argus analysts from a buy rating to a hold rating. The company currently has a price target of $230.00 on the stock.

CNO Financial Group (NYSE: CNO) was downgraded by analysts at Zacks Investment Research from a hold rating to a strong sell rating. They currently have a price target of $17.00 on the stock. According to Zacks, “CNO Financial’s first quarter results miss estimates. Company revenue is expected to remain under pressure due to lower general account assets. A lower ROE implies an inefficient use of shareholder funds. Balance sheet weakness, exemplified by unrestricted cash and cash equivalents remaining significantly below investment borrowings, remains a concern. The company expects free cash flow to decline in 2022 from the 2021 level due to lower alternative investment returns and capital depletion from new business. The company’s shares have underperformed its industry in a year. Nonetheless, its cost-cutting initiatives should improve its earnings profile. It has invested significantly in technology to improve agent productivity, as well as in sales and advertising, which will likely improve prospect productivity. »

Dime Community Bancshares (NASDAQ:DCOM) was downgraded by Stephens analysts from an overweight rating to an equal weight rating. Stephens currently has a price target of $34.50 on the stock, down from its previous price target of $36.00.

Doma (NYSE: DOMA) was downgraded by Oppenheimer Holdings Inc. analysts from an outperform rating to a market performance rating.

FirstEnergy (NYSE:FE) was downgraded by analysts at Bank of America Co. from a buy rating to a neutral rating. The company currently has a price target of $44.00 on the stock, down from its previous price target of $52.00.

FIGURES (NYSE:FIGS) was downgraded by analysts at FIG Partners from a Buy rating to a Neutral rating. The company currently has a price target of $12.00 on the stock, down from its previous price target of $32.00.

FIGURES (NYSE:FIGS) was downgraded by analysts at Bank of America Co. from a buy rating to a neutral rating. They currently have a price target of $12.00 on the stock, down from their previous price target of $32.00.

Foot Locker (NYSE:FL) was downgraded by analysts at OTR Global to a positive rating.

InMed Pharmaceuticals (NASDAQ:INM) was downgraded by Roth Capital analysts from a buy rating to a neutral rating.

InnovAge (OTCMKTS: INNV) was downgraded by Robert W. Baird analysts from an Outperform rating to a Neutral rating. Robert W. Baird currently has a price target of $5.00 on the stock, down from his previous price target of $6.00.

Isuzu Engines (OTCMKTS: ISUZY) was downgraded by CLSA analysts from a buy rating to an underperform rating.

Kainos Group (OTCMKTS: KNNNF) was downgraded by analysts at Berenberg Bank from a buy rating to a hold rating.

Kintara Therapeutics (NASDAQ:KTRA) was downgraded by analysts at Dawson James from a buy rating to a neutral rating.

ManTech International (NASDAQ:MANT) was downgraded by analysts at William Blair from an outperform rating to a market performance rating.

Compagnie Générale des Etablissements Michelin Partnership limited by shares (OTCMKTS:MGDDY) was downgraded by analysts at JPMorgan Chase & Co. from an overweight rating to a neutral rating.

Malaysian Bank Berhad (OTCMKTS:MLYBY) was downgraded by analysts at JPMorgan Chase & Co. from a neutral rating to an underweight rating.

Marathon Petroleum (NYSE: MPC) was downgraded by analysts at The Goldman Sachs Group, Inc. from a buy rating to a neutral rating. They currently have a target price of $102.00 on the stock, up from their previous target price of $90.00.

Nielsen (NYSE:NLSN) was downgraded by BMO Capital Markets analysts from an outperform rating to a market return rating. BMO Capital Markets currently has a price target of $28.00 on the stock, down from its previous price target of $34.00.

American Plains Pipeline (NYSE: PAA) was downgraded by analysts at Zacks Investment Research from a hold rating to a strong sell rating. Zacks Investment Research currently has a target price of $11.00 on the stock. According to Zacks, “Plains All American Pipelines’ first quarter earnings were below expectations. The Company’s pipeline toll volumes were impacted by extreme weather conditions. PAA’s operating expenses may increase to comply with strict regulations and implement security measures. Excess pipeline capacity in some areas could reduce demand for its midstream services. Enterprise units have underperformed the industry over the past year. However, PAA will benefit from the Permian mining, cost reduction initiatives, joint venture and asset divestiture that will support long-term operations. The company’s strong cash flow will help it strengthen its balance sheet. The expansion of existing pipelines and the addition of new pipeline projects in key regions are expected to boost its business. In addition, the company has sufficient liquidity to meet its obligations”

Quantafuel ASA (OTC:QNTFF) was downgraded by analysts at Nordea Equity Research from a hold rating to a sell rating.

Ring Central (NYSE: RNG) was downgraded by Robert W. Baird analysts from an Outperform rating to a Neutral rating. They currently have a price target of $80.00 on the stock, down from their previous price target of $95.00.

SEB (OTC: SEBYF) was downgraded by Oddo Bhf analysts from an outperform rating to a neutral rating.

Shift Technologies (NASDAQ:SFT) was downgraded by Benchmark Co. analysts from a buy rating to a hold rating.

Sims (OTCMKTS: SMSMY) was downgraded by analysts at The Goldman Sachs Group, Inc. from a buy rating to a neutral rating.

Switch (NYSE: SWCH) was downgraded by Raymond James analysts from a strong buy rating to a market yield rating.

Swedish Match AB (pub) (OTCMKTS:SWMAY) was downgraded by analysts at UBS Group AG from a buy rating to a neutral rating.

Taboola.com (NASDAQ:TBLA) was downgraded by Susquehanna analysts from a positive rating to a neutral rating. The company currently has a target price of $3.50 on the stock, down from its previous target price of $10.00.

Twilio (NYSE: TWLO) was downgraded by Robert W. Baird analysts from an Outperform rating to a Neutral rating. The company currently has a price target of $120.00 on the stock, down from its previous price target of $155.00.

Unilever (NYSE:UL) was downgraded by Societe Generale analysts from a buy rating to a sell rating.

Vestas Wind Systems A/S (OTCMKTS: VWDRY) was downgraded by analysts at Berenberg Bank from a buy rating to a hold rating.

Yum China (NYSE:YUMC) was downgraded by analysts at Zacks Investment Research from a hold rating to a strong sell rating. The company currently has a target price of $32.00 on the stock. According to Zacks, “Yum China shares have underperformed the industry over the past year. The downward trend is expected to continue as the company continues to be impacted by the pandemic. Recently, the company released its first-quarter 2022 results, with earnings not matching Zacks’ consensus estimate. The company noted that the Omicron variant continues to have a severe impact in the second quarter. Economically important regions like Shanghai, Tianjin, Jilin , Suzhou, Shenzhen and Guangzhou have been affected by the Omicron variant.Not only store operations, but also delivery and supply chain have been affected by the ever-changing restrictions.In the first quarter of 2022, store sales comparable stores fell 8% year over year.The poor performance continued in April (preliminary) when same store sales fell more than 20% from a th year to year. »



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Bobby Jeong’s Songs Accused Of Sexual Assault In BTS’s New Album, Fans Upset https://triakel.com/bobby-jeongs-songs-accused-of-sexual-assault-in-btss-new-album-fans-upset/ Mon, 16 May 2022 08:18:55 +0000 https://triakel.com/bobby-jeongs-songs-accused-of-sexual-assault-in-btss-new-album-fans-upset/
South Korea’s biggest boy band and pop culture icon BTS and their company Hybe (formerly called BigHit) have been under the scanner since they announced the tracklist for their new album. Proof. This is an anthology album consisting of previously released tracks from BTS’s debut. Among the multiple songs, Bobby Jeong worked on Filtered of CD2.

The song, released in 2020, is also BTS Jimin’s solo song and was produced by Swedish producer Tom Viklund, Bang Si-Hyuk (co-founder and manager of Hybe), Bobby Jeong and Fluorescence boy. However, fans are upset that BTS decided to include the song and it sparked huge outrage among the group’s fans asking why they are collaborating with an offender on trial.

Fans are wondering if the song from someone with a criminal record for sex offenses should be included in the new album even though it was produced before the incident came to light.

Park Juwon, Korean entertainment journalist, tweeted, “Why are BTS working with sex criminal musician Jung Bobby who was tried for physical assault and illegal shooting of molka on women?” Meanwhile, some users said including his tracks “is no different than condoning and condoning Bobby Jeong’s crimes.”

BTS Album proof tracklist (right), BTS (left) Credit: Twitter

The criticism intensified amid news that all seven BTS members picked the songs themselves. A user from the Korean Community Blog posted a screenshot of other tracks by Bobby Jeong, and users criticized BTS Jimin and Hybe for the mistake.

Another user commented on the post, “It’s very disappointing to put a song written by someone with such a problem. [under criminal trial] in the best album… The song Filtered wasn’t entirely written and composed by Bobby Jeong, but some of it is credited anyway, so doesn’t that help in the end? If you didn’t know, you’d just pass by, but now that you know, I think it’s something you can’t walk through with peace of mind.

A report indicates that Hybe presented a very vague position on the matter. “There is no official position from our agency regarding the controversial composer. We will discuss the songs on the album internally,” Hybe said as quoted by Ten Asia.

Bobby Jeong controversy, criminal trial

Bobby Jeong, a South Korean musician and songwriter and member of the band Autumn Vacation, is currently on trial after being charged with sexual assault. Allegations that he filmed the women without their consent. One victim, whom he allegedly dated in 2019, died by suicide and his family went to court but was acquitted in 2021 due to insufficient evidence.

Soon he was charged with unlawfully assaulting and filming another woman; police recovered the videos from his devices which reopened the first case in which he was acquitted. A new investigation concluded that he was guilty in both cases.

Bobby stands by his position that he obtained consent for the filming, but pleaded guilty to sexual assault at the final trial. The third trial will be held at Seoul’s Western District Court at 2 p.m. on May 25.


Suggested reading: despite the #MeToo movement, victims of sexual assault are fighting for justice, why?


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New video provides final images of late singer Mark Lanegan https://triakel.com/new-video-provides-final-images-of-late-singer-mark-lanegan/ Sun, 15 May 2022 13:29:10 +0000 https://triakel.com/new-video-provides-final-images-of-late-singer-mark-lanegan/

Late last year, Mark Lanegan released what would be his final recording, a collaborative effort titled Dark Mark vs. Skeleton Joe, reflecting the billing of his pairing with Joe Cardamom. Now, a new video has surfaced for one of the songs from that album, “Hiraeth,” which is the last video footage shot with Lanegan before he passed away earlier this year.

The clip begins as a tribute to Lanegan with video footage of the musician at various points in his career creating an on-screen collage, but eventually, as the hypnotic melody plays out, the pieces of the collage are removed in favor of a beautiful forest walk with Lanegan and Cardamom walking through the forest near his home in Killarney, Ireland.

It happened for a period shortly after a battle with COVID had temporarily put the musician in a coma. When Cardamone came to visit, it gave the musicians a chance to catch up.

“When I traveled to Killarney to visit Mark post-COVID/coma, we only had a week to work on shooting things and humble resources,” Cardamone explained to twirl. “We just got together every day and tried to pull it off. A lot of the pictures and filming while I was there with him doubled in visits. It was a chance to spend time together and for Mark to show me his new hometown.”

The musician adds: “He looked really happy there, maybe more than I’ve ever seen in LA. Surrounded by nature and peace. It’s a breathtaking corner of the world On the last day we all decided to visit a part of the lake that Mark had yet to explore. We walked and talked in the woods for several hours and broke the camera at the very end. I had always hoped to do some kind of visual for ‘Hiraeth’ but we were almost out of time at this point and just hanging out took priority.”

As the album arrived last fall, Cardamone says he thinks “Hiraeth” offers a nice reminder of Lanegan’s artistry. His lyrics and melody on that particular track really moved me and kind of became the centerpiece of the album,” the musician explained. “It’s a song that’s just filled with unfiltered love , nothing kept. No damage involved. Truly one of the most moving pieces of music I have ever participated in.”

Lanegan’s death occurred on February 22, 2022. No official cause of death has been released. His legacy includes leading the Screaming Trees and performances in Queens of the Stone Age, the Gutter Twins, with Isobel Campbell and with Duke Garwood before his last album with Cardamone.

Watch the video for Dark Mark’s “Hiraeth” vs. Skeleton Joe below.

Dark Mark vs. Skeleton Joe, “Hiraeth”

Rockers we lost in 2022

Rock + Metal Musicians Who Died in 2022

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Top 5 Madhuri Dixit Songs and Dances with Saroj Khan https://triakel.com/top-5-madhuri-dixit-songs-and-dances-with-saroj-khan/ Sun, 15 May 2022 06:11:54 +0000 https://triakel.com/top-5-madhuri-dixit-songs-and-dances-with-saroj-khan/

1. Ek do teen (Tezaab): This will remain Madhuri’s faded song. A very banal tune, so banal that director N Chandra didn’t even want it in the film, carried by the exceptional choreography of Saroj Khan and the dazzling dance of Madhuri. The crochet step remains the most vital and transformative dance piece in Indian cinema. Anil Kapoor became so insecure about the final product that he demanded his own male version of Ek do teenwhich was shot as a tapori number in the streets. But it was Madhuri who waltzed to eternal glory with the numbers game. . Shot with 1,000 junior artists shouting “Mohini Mohini” (Madhuri’s name in the film), Javed Akhtar’s dummy words (used as a makeshift filming method until the final lyrics were completed) become the darling song generations to come.

2. Maar dala (Devdas): Choreographer Saroj Khan and Madhuri Dixit were masters of cine-dance. Their collaboration has always meant something special. Madhuri felt that Saroj Khan knew exactly how to bring out the best in herself. For maar dala Saroj Khan landed on the set straight from the airport after a 22-hour flight from Canada. Incidentally, the song was originally recorded in the voice of Asha Bhosle. It was re-recorded with Kavita Krishnamurthy’s vocals a few days before filming.

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The Ukrainian group Kalush Orchestra wins Eurovision in the middle of the war https://triakel.com/the-ukrainian-group-kalush-orchestra-wins-eurovision-in-the-middle-of-the-war/ Sat, 14 May 2022 23:18:23 +0000 https://triakel.com/the-ukrainian-group-kalush-orchestra-wins-eurovision-in-the-middle-of-the-war/

TURIN, Italy (AP) — Ukrainian band Kalush Orchestra have won the Eurovision Song Contest, a clear show of popular support for the war-torn nation from the band that went beyond music.

The band and their song “Stefania” beat 24 other performers early Sunday in the competition’s grand finale. Public voting at home, by text message or via the Eurovision app, proved decisive, lifting them above British TikTok star Sam Ryder, who led after national juries from 40 countries voted .

Ukrainian President Volodymyr Zelenskyy welcomed the win, Ukraine’s third since making its Eurovision debut in 2003. He said “we will do our best” to host next year’s competition in the devastated port city of Mariupol, which is almost entirely occupied by Russian forces.

Describing the city, Zelenskyy underlined “Ukrainian Mariupol”, adding: “free, peaceful, rebuilt!


“I am sure that our victorious agreement in the battle with the enemy is not far off,” Zelenskyy said in a post on the Telegram messaging app.

Kalush Orchestra leader Oleh Psiuk took advantage of the huge global audience, which last year stood at more than 180 million, to issue an impassioned appeal to the free fighters still trapped under a sprawling steelworks in Mariupol.

“Help Azovstal, now,” Psiuk implored after his winning performance, speaking under a shiny bob that has become the band’s trademark among fans.

He later told a press conference that people could help by “spreading information, talking about it, reaching out to governments to help.”

The 439 fan votes represent the most television voting points ever received in a Eurovision contest, now in its 66th year. Psiuk thanked the Ukrainian diaspora “and everyone around the world who voted for Ukraine. … This victory is very important for Ukraine. Especially this year.

“Stefania” was written by Psiuk as a tribute to his mother, but since the Russian invasion on February 24, it has become a hymn to the homeland, with lyrics that promise: “I will always find my way back, even if all the roads are destroyed.”

Kalush Orchestra itself is a cultural project that includes folklore experts and mixes traditional folk melodies and contemporary hip hop in a deliberate defense of Ukrainian culture. This has become all the more salient as Russia, through its invasion, has sought to falsely assert that Ukrainian culture is not unique.

“We are here to show that Ukrainian culture and Ukrainian music are alive, and have their own very special signature,” Psuik told reporters.

The call for the release of the remaining Ukrainian fighters trapped under the Azovstal factory by the Russians served as a grim reminder that the hugely popular and sometimes flamboyant Eurovision song contest was being played against the backdrop of a war on the eastern flank from Europe.

The Azov Battalion, which is among the last 1,000 defenders of the factory, sent their thanks from the maze of tunnels under the factory, posting on Telegram: “Thank you Kalush Orchestra for your support! Glory to Ukraine!”

The city itself has been the site of some of the worst destruction in the 2.5-month war, as Russia seeks to secure a land bridge between separatist-controlled Donbass and Crimea, which it annexed in 2014.

The all-male group, consisting of six members, received special permission to leave the country to represent Ukraine and Ukrainian culture in the music competition. One of the original members stayed to fight, and the others will be back in Ukraine in two days when their temporary exit permits expire.

Before heading to Italy, Psiuk ran a volunteer organization he started at the start of the war that uses social media to help find transportation and shelter for people in need.

“It’s hard to say what I’m going to do, because it’s the first time I’ve won Eurovision,” Psuik said. “Like any Ukrainian, I am ready to fight and go all the way.”

While support for Ukraine in the song contest was ultimately overwhelming, the contest remained wide open until the final popular votes were counted. And war or not, fans from Spain, Britain and beyond entering the PalaOlimpico hall from across Europe were rooting for their own country to win.

Still, Ukrainian music fan Iryna Lasiy said she felt global support for her country during the war and “not just for the music”.

Russia was excluded this year after its invasion of Ukraine on February 24.

Back in Ukraine, in the battered northeastern city of Kharkiv, Kalush Orchestra’s Eurovision appearance is seen as giving the nation another platform to gain international support.

“The whole country is rising up, everyone in the world is supporting us. It’s extremely pleasant,” said Julia Vashenko, a 29-year-old teacher.

“I believe that wherever there is Ukraine now and there is an opportunity to talk about the war, we have to talk,” said Alexandra Konovalova, a 23-year-old make-up artist in Kharkiv. “All competitions are important now, thanks to them more people learn what is happening now.

Ukrainians in Italy were also using the Eurovision event as the backdrop for a flash mob this week to ask for help for Mariupol. Around 30 Ukrainians gathered at a bar in Milan to watch the broadcast, many of whom wore shiny bucket hats like the one Psiuk is sporting, in support of the group.

“We are so happy that he called to help save the people of Mariupol,” lawyer Zoia Stankovska said on the broadcast. “Oh, this win brings so much hope.”

The winner takes home a glass microphone trophy and a potential career boost – although Kalush Orchestra’s primary concern is peace.

The event was hosted by Italy after local rock band Maneskin won last year in Rotterdam. The win propelled the Rome-based band to international fame, opening for the Rolling Stones and appearing on Saturday Night Live and numerous magazine covers in their signature gendered costume code.

Twenty groups were chosen in two semi-finals this week and competed against the Big Five of Italy, Britain, France, Germany and Spain, who have permanent places due to their support funding for the competition.

Ukrainian commentator Timur Miroshnichenko, who does the live voiceover for Ukraine’s Eurovision broadcast, was participating from a basement at an undisclosed location, rather than from his usual television studio.

“On the fifth or fourth day of the war, they shot at our television tower in kyiv,” he said. To continue broadcasting, “we had to move underground somewhere in Ukraine.”

Broadcasting of Eurovision in Ukraine was extensive, online and on TV, he said.

“This year, I think, is more symbolic than ever,” Miroshnichenko said.

Ukraine was able to participate in the music competition “thanks to the Armed Forces of Ukraine and the resistance of our people”, he said.

____

Barry reported from Milan. Vasilisa Stepanenko contributed from Kharkiv, Ukraine.

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A Ukrainian group pleads for Mariupol at Eurovision https://triakel.com/a-ukrainian-group-pleads-for-mariupol-at-eurovision/ Sat, 14 May 2022 21:29:01 +0000 https://triakel.com/a-ukrainian-group-pleads-for-mariupol-at-eurovision/

TURIN, Italy — Ukrainian band Kalush Orchestra issued an impassioned plea on Saturday night for the release of those still trapped in a beleaguered steelworks in a strategic Ukrainian port city after competing in the Eurovision Song Contest final, where bookmakers advised to win.

The call to free the remaining Ukrainian fighters trapped under the sprawling Azovstal factory by the Russians served as a grim reminder that the hugely popular and sometimes flamboyant Eurovision song contest was being played against the backdrop of a war on the eastern flank from Europe.

President Volodymyr Zelenskyy gave signs that he was watching from Kyiv and supporting the Ukrainian group.

“Indeed, this is not a war, but nevertheless, for us today, any victory is very important,” Zelenskyy said, according to a presidential statement. “So let’s applaud ours. Glory to Ukraine!”

Kalush Orchestra were among 25 bands to perform in the Eurovision Song Contest final in front of a live audience in the northern industrial city of Turin, while millions of others watched on television or via streaming worldwide.

The Ukrainian group have been strongly tipped to win by bookmakers, who give the group that mixes traditional Ukrainian rhythms, costumes and dance moves with contemporary hip hop a 60% chance of winning.

Despite Ukraine’s position as a betting and sentimental favorite, fans from Spain, Britain and elsewhere entering the PalaOlimpico site from across Europe were looking for their own country to win.

Still, Ukrainian music fan Iryna Lasiy said she felt global support for her country during the war and “not just for the music”.

Russia was excluded this year after its invasion of Ukraine on February 24.

The Ukrainian song “Stefania” was written as a tribute to the singer’s mother, but since the war has evolved into a hymn to the beleaguered nation as the lyrics take on new meaning. “I will always find my way back, even if all the roads are destroyed,” wrote Kalush Orchestra leader Oleh Psiuk.

The all-male group, consisting of six members, received special permission to leave the country to represent Ukraine and Ukrainian culture in the music competition. One of the original members stayed to fight, and the others plan to return as soon as the contest is over.

Back in Ukraine, in the battered northeastern city of Kharkiv, Kalush Orchestra’s participation in the competition is seen as giving the nation another platform to garner international support.

“The whole country is rising up, everyone in the world is supporting us. It’s extremely pleasant,” said Julia Vashenko, a 29-year-old teacher.

“I believe that wherever there is Ukraine now and there is an opportunity to talk about the war, we have to talk,” said Alexandra Konovalova, a 23-year-old make-up artist in Kharkiv. “All competitions are important now, thanks to them more people learn what is happening now.”

Anastasia Khardikova, a 24-year-old Ukrainian living in Sweden, said she intends to vote for the Kalush Orchestra and is persuading her friends abroad to do the same.

The winner is chosen equally by panels of music experts in each competing country and voted on by the public, leaving room for surprise. Britain’s Sam Ryder and Sweden’s Cornelia Jakobs each have a 10% chance of winning while Italian duo Mahmood & Blanco have a 6% chance of winning.

The winner takes home a glass microphone trophy and a potential career boost.

The event was hosted by Italy after local rock band Maneskin won last year in Rotterdam. The victory propelled the Rome-based band to international fame, opening for the Rolling Stones and appearing on Saturday Night Live and numerous magazine covers in their typically sexless costume code.

Twenty groups were chosen in two semi-finals this week and competed against the Big Five of Italy, Britain, France, Germany and Spain, who have permanent places due to their support funding for the competition.

————

Barry reported from Milan. Vasilisa Stepanenko contributed from Kharkiv, Ukraine.

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