Happy 4th of July: Here are 12 American-Ass songs by non-American bands

Real talk, America on the 4th of July is a bit like Ireland on St. Patrick’s Day. Of course, both holidays have important historical traditions and should be used to examine the histories of both countries and how they are perceived by foreigners. But they’re also both kind of performative, and just like we love listening to the Pogues and drinking beer on March 17th, we also love listening to Pantera and, well, drinking beer on July 4th. Every day has an element of costume, even if it’s unfair and slightly inappropriate.

As metalheads, we love putting together playlists for all occasions, and Independence Day is no exception. However, with the international dimension of community metal, we often find ourselves filling these lists with bands that aren’t really American. Some tracks LOOK American to us, or FEEL American, but then we’re reminded that the people who wrote them aren’t even close. So to confront this phenomenon, and celebrate these Americans-survey bands, we’ve put together a list of metal songs that seem appropriate for 4th of July, even if the creators were born far from the United States.

Here are 12 American-sounding songs by non-American bands…

Judas Priest, “Uni” (British steel1980)

Metalheads call to arms? American unity song? Anthem of pride? Why not all three! Sure, Judas Priest are the quintessential British metal band – this song is from an album with ‘British’ in the fucking title – but that punch is pure ‘Murica’. Put this one on your neighborhood barbecue and watch some hardcore flag wavers sing in the name of the old United States of America. Then tell them it was written by a gay guy from England and watch them squirm.

Sabaton, “Primo Victoria” (Primo Victoria2005)

Whatever America means to you, I think we can all agree: Shit the Nazis. And luckily Swedish military metal powerhouse Sabaton has the ultimate song to smash that Swazi to pieces. The fact that the lyrics are essentially a historical depiction of the events of D-Day adds a certain level of patriotic nerdism to the whole thing. You don’t have to love your country, you just fuck the Third Reich.

La Couronne, “The Dead Man’s Song” (Death Race King2001)

Now hereis an interesting example of this phenomenon. “Dead Man’s Song” has no lyrics about America, or politics, or war, or anything typically associated with the United States. In that way, this song abstractly fits the rule of this list – it’s not all about America, it’s just, basically, like America is involved. God, what a daredevil.

Motörhead, “Born to Raise Hell” (Bastards, 1993)

Hold onI hear some of you say, Motörhead literally has a song named “America”. Which is true – but this song is definitely an examination of the United States by someone who isn’t. “Born to Raise Hell,” on the other hand, is an American biker drinking song through and through. Between its beat, lyrics and deep boogie, it’s the sonic equivalent of a Budweiser flag can.

Turisas, “Take the day!” (Get up and fight2012)

On its surface, “Take the Day!” is a moving precursor to Viking warfare. But to the average American, the massive horn sections and screaming chorus of this song are all about one thing: FOOTBALL. Yep, this folk metal sounding song written to accompany an NFL broadcast. Hey, we have a team called the Vikings!

Sepultura, “Propaganda” (ANNOUNCEMENT of chaos1993)

It’s strange that Sepultura has always been famous for Brazil, but their effect on metal seems to be rooted in American lore. For example, “Propaganda” is a track on universal themes, with no real national allegiance – but it’s grating riffs and big, driving, groove-fueled breakdowns, as if straight out of the primordial soup of the United States. United. This is by no means about appropriating Sepultura – this band will always be Brazil at heart – but they fit right in with their American brethren, and always have.

Loudness, “Crazy Nights” (thunder in the east1985)

Damn yeah, Japanese hair metal! It should be noted that many Loudness tracks are actually more jagged and versatile than “Crazy Nights”, showing what the band had to offer that was different from their Sunset Strip counterparts. That said, fuck it is as big and California hair metal single as you can get. It definitely feels like a tribute to a tradition started in America’s seediest bars.

Diamond King, “Halloween” (fatal portrait1986)

Although it has its origins in Ireland, Halloween is undoubtedly a true American holiday, refined, perfected and truly celebrated in the United States. That’s why it’s so fascinating to have the song commemorating a Danish artist who never really grew up partying. “Halloween” has become heavy metal’s ultimate seasonal track, but the guys who wrote it didn’t grow up carving pumpkins and making tricks or treats. Being able to own it, however, requires some serious skill.

Jinjer, “Stranger” (Cloud Factory, 2014)

Especially after the year they had, the Jinjers have become synonymous with their homeland, Ukraine. But there’s something about the rolling, driving metal groove of “Outlander” that immediately makes us think of American bands. The song’s grind and bounce remind us of bands like Lamb of God and All That Remains, which we consider as American as apple pie. One of those tracks that makes us recognize certain behavioral connections that we have built in our brain.

Amon Amarth, “Get in the Ring” (The Great Heathen Army2022)

We’re so used to hearing Amon Amarth’s lyrics about Odin, Loki and drinking to gods like them. So when one of their songs is basically an ultimate fighter diss track, it immediately jumps out at us. The band’s latest single is certainly universal in its way of flailing an opponent towards the protagonist, but the track’s inherent muscularity and tenacity ring American to us. Then again, these guys have landed hard in the States over the past decade, so maybe we’re rubbing off on them.

Sodom, “Ausgebombt” (Agent Orange1989)

Clearly, Sodom are one of Germany’s great thrash bands and a mainstay of that country’s influence on the genre. And much of their music embodies Deutschland’s icy, ruthless approach to the genre. But “Ausgebombt” sounds straight out of the Bay Area, filled with that area’s flippant, fast-paced attitude. In a way, both absolutely German and atmospherically Californian.

Monster Truck, “Don’t Tell Me How to Live” (Sitting heavy2016)

You know what was the craziest part about Kid Rock using Monster Truck’s “Don’t Tell Me How to Live” as the basis for his recent Facebook daddy track? That while he’s waving a million American flags and talking “Murican bullshit” all the time, Monster Trucks are fucking Canadians. Kid Rock made an anthem about the attitude of tough guys in the United States, but had to import labor from outside the United States to make it. Participation trophies all around.

Source link

About Eileen W. Sudduth

Check Also

Noah Cyrus, Kelela, Chloe Moriondo and more – Billboard

Looking for some motivation to get you through the start of another work week? We …