studio album – Triakel http://triakel.com/ Wed, 16 Mar 2022 04:07:07 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://triakel.com/wp-content/uploads/2021/10/cropped-icon-32x32.png studio album – Triakel http://triakel.com/ 32 32 Fleshgod Apocalypse Singer Undergoes Ulnar Nerve Surgery https://triakel.com/fleshgod-apocalypse-singer-undergoes-ulnar-nerve-surgery/ Mon, 14 Mar 2022 13:37:23 +0000 https://triakel.com/fleshgod-apocalypse-singer-undergoes-ulnar-nerve-surgery/

Fleshgod Apocalypse singer Francesco Paoli is continuing a long recovery after suffering a major fall last year in a rock climbing accident that left the musician with multiple broken bones. In a new update, Paoli reveals that he recently needed additional surgery after his ulnar nerve did not heal as expected.

The initial incident took place on August 21, 2021 and it was reported that Paoli suffered “several fractures” and was in stable condition at a local hospital. The singer offered a longer update on his recovery process in which he detailed the most recent surgery which involved transplanting a nerve taken from his left leg into his elbow to help repair the ulnar nerve, which had an interruption of 8 cm.

The ulnar nerve passes close to the ulnar bone and is the largest in the human body unprotected by muscle or bone, so injuries are common. This nerve is directly connected to the little finger and the adjacent half of the ring finger, innervating the palmar surface of these fingers, including both the front and back of the tips, perhaps as far as the bed of the nails. So, as you can imagine, nerve having so much to do with the fingers, Paoli had a hard time picking up the guitar during his recovery.

Paoli detailed his recent surgery and how his recovery process has gone so far in a lengthy post shared via the band’s Instagram which can be read in full below:

Hi everyone, after a long time I can finally update you on my recovery status.
I know full well that these times bring bigger issues to worry about, but I also know that some of you care about my situation and I have promised to keep you updated. As I told you before, following my accident, I reported several bone and muscle injuries that I have been able to recover over the past few months. Also, I have severely injured my ulnar nerve which is one of those that serves the hand area and if dysfunctional it can cause semi/complete paralysis of the hand/fingers and a loss of muscle functionality. Usually, hand conditions improve within the first 6 months after the first surgery, as the nerves repair themselves when possible. Unfortunately, that was not my case. The suspected nerve interruption, which medical checks recently revealed, was real and, as I said, serious. The other day, March 10, I had another surgery to remove additional wires and re-inspection of my ulnar nerve. It turned out that I had an 8cm break, plus a huge neuroma, which is basically a bunch of scars, in my elbow area. Since this kind of problem has no way to be solved and it is extremely painful, there was no choice but to remove the dead section and proceed with the grafting of a another nerve, quickly taken from my left leg. They basically removed 30cm of my sural nerve, cut it into three parts, made a little braid out of it, and implanted it into my elbow to give continuity to the remaining pieces of ulnar nerve.
This self-sacrifice, of course, is not free, as I will have permanent damage to my foot/leg sensitivity, but it was inevitable. Luckily it won’t affect my foot/leg motility. On the other hand, it will take me to a whole new life, where my hand can actually improve its functionality, albeit slowly, and the pain (at least most of it) should finally go away. For example, playing the guitar was becoming a real nightmare lately. Now I’m fine, in good hands and with a fairly quick prognosis, 3/4 weeks straight back into rehab. I can’t wait to learn to walk again for the 4/5th time in my life, haha, and of course to come back stronger and perform for you all over the world! The next stop is Norway on May 7!
Anyway, sorry if I was too long, but I really wanted to involve you in more detail and show you how amazing science can be and how grateful we should be to those who dedicate their lives to take care of us. It’s just crazy to think that the people who did this magic on me aren’t made of different flesh than the people who send human beings to shoot each other on the road every day.
It is still impossible nowadays to quantify how much of a worst enemy we can be to ourselves.
Of course, some humans can simply bring war and destroy while others, instead, are able to bring life and create. I will always be devoted to them, supporting them in every way possible and trusting in Science as my one and only religion.
In conclusion I just wanted to reassure you and invite you to be strong, to enjoy life no matter what and to spread peace.
I love you all.
PS
All this with one hand.

Paoli, who was the band’s original lead singer, reclaimed the band’s lead vocal spot in 2017 after Tommaso Riccardi’s exit. He remained in the band during Riccardi’s run, still playing drums and guitar and lending backing vocals. He returned to rhythm guitar duties in 2017.

While the band’s last studio album was Valeno in 2019, they kept busy during the pandemic releasing two EPs in 2020 (The day we’re gone and No), and Blue (turns to red) Last year.

We wish Francesco Paoli the best of luck in his continued recovery.

Best Death Metal Album of Each Year Since 1985

Here are our picks for the best Death Metal album of each year since 1985

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Swedish Rock Band Ghost Share Fifth Studio Album ‘Impera’ https://triakel.com/swedish-rock-band-ghost-share-fifth-studio-album-impera/ Sat, 12 Mar 2022 10:03:03 +0000 https://triakel.com/swedish-rock-band-ghost-share-fifth-studio-album-impera/

Swedish metal rockers Phantom are back with their first studio album Impera, available now through Loma Vista Recordings. Produced by Klas Åhlund, the disc features the latest singles from the theater troupe”Around twenty” and “call me little sun.”

“The idea was to paint a picture of an empire, warts and all, and shine a light on the kind of self-destruct mechanisms within the empire that are sort of default in there to sort of so as to reassure his ultimate demise. One way or another, they’ve always built every empire this way. It’s painfully clear to us as we speak,” Ghost frontman Tobias Forge, otherwise known as Papa Emeritus IV, told Apple Music’s Zane Lowe earlier this month.

The 12-track disc charts the rise and fall of empires and those who rule them. Ghost explores financial and spiritual messiahs in addition to celestial bodies and prophecies. Impera is the band’s first full-length album since sharing Prequelshared in 2018 and nominated for Best Rock Album at the Grammys the following year.

Forge continued, “Years ago when I had the idea that I wanted to make a record about empires, I also had the idea that I wanted to make a record about the plague. These two concepts seemed diametrically opposed to me in a way, because the plague had more of an individual, carnal, divine aspect of annihilation. Whereas the imperial dossier I was referring to in my head had more of a structural society, a mechanical annihilation. So these two concepts seemed different from each other.

After wrapping up a 26-date North American tour, Ghost is gearing up for their long-awaited debut with Jimmy Kimmel Live, scheduled for March 16. The performance should reflect the euphoric spectacle of the group’s concerts.

Stream or buy ImperaGhost’s fifth studio album.

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Fefe Dobson’s post-coital pop jam and 6 more songs you need to hear this week https://triakel.com/fefe-dobsons-post-coital-pop-jam-and-6-more-songs-you-need-to-hear-this-week/ Wed, 09 Mar 2022 11:00:00 +0000 https://triakel.com/fefe-dobsons-post-coital-pop-jam-and-6-more-songs-you-need-to-hear-this-week/

At CBC Music, we’re always on the lookout for the best new songs from Canadian artists.

This week we are listening to new tracks from:

  • Omah Lay and Justin Bieber.
  • Avril Lavigne with Mark Hoppus.
  • So Owls.
  • Fefe Dobson.
  • Idman.
  • Fit pillow.
  • Kallitechnis.

Scroll down to find out why you should listen too.

What new Canadian tunes are you currently obsessed with? Share them with us on Twitter @CBCMusic.

Tune into CBC Music Mornings every Thursday to hear CBC Music’s Jess Huddleston and Saroja Coehlo reveal which of these tracks is the most notable new Canadian song.


“Beware”, Omah Lay, Justin Bieber

Lately, Justin Bieber has made a specialty of pop-Afrobeat fusion, calling on Nigerian talents, in particular, for exceptional collaborations: Burna Boy was featured on “loved by you“, a highlight of 2021 Justiceand Bieber took a solo ride on Wizkid’s dream”Gasoline” last summer. The trend continues with “Attention”, a preview track from Omah Lay’s upcoming album, single boy. Bieber looks relaxed and at home as he sings the opening verse and chorus over a seductive dancehall beat and a gently cooing synthesizer. “Should I drink, smoke? / Need a little freedom, show me a little care” – this hook expands, rather than grabbing you, and the song’s energy never rises above a soft simmer, perfect for poolside or rooftop patio scenarios that invite warmer months ahead. —Robert Rowat


‘All I Wanted’, Avril Lavigne feat. Marc Hoppus

Three years later Head above watera low-key album that became a surprise hit on the Christian rock charts, Avril Lavigne is back with her new album, Love Sux. Lavigne’s goal on her seventh studio album was clear, as she said Billboard last month: “I want to do a pop-punk record, a rock-and-roll record. I don’t want to be at the piano. I don’t want ballads, really. I really want to rock. ”

The result is perhaps the most pop-punk album Lavigne has ever released. (Although many young pop-punk-influenced artists today cite Lavigne as an influence, the Canadian star’s comfort zone has always leaned more toward mid-tempo anthems than amped-up rock tunes.) .) sounds and production, handled by Travis Barker. Sometimes it can get too close to Blink-182 territory — like on “Kiss me Like the World is Ending” — but surprisingly “All I Wanted” a Love Sux Highlight with fellow Blink-182 member Mark Hoppus avoids this trap. Always a throwback to pinnacle early 2000s pop-punk, “All I Wanted” uses buzzing guitars, over-the-top drums and an explosive chorus to frame Lavigne and Hoppus’ sweet duo. While Lavigne has a beautiful voice that’s always in evidence on the slow-motion “Dare to Love Me,” it’s electrifying to hear her cover up-tempo melodies, delivering a much-needed punch to lines like “J’ was still stomping on the bad boys / I was still screaming when I should have been sitting down.” Sometimes screaming is good, and we’re glad Lavigne isn’t holding back this time. — Melody Lau


‘Above the sun’, so the owls

It’s not mine so I don’t speak,
It’s not mine so I’m not saying it,
That’s what we tell them and what we tell them.

Erika Angell’s vocals are stunning on a saxophone trio, opening “Above the Sun” by taking center stage with her reflection on the social justice reckonings of the past two years. So Owls, the Swedish-Canadian indie-rock band based in Montreal, released their fifth (and double) album on March 4, titled Who would hold you back if the sky betrayed us?, digging into the isolation of the last two years and creating a work at the crossroads of poetry, improvisation, experimental rock and jazz. Wife-husband duo Erika and Simon Angells rely heavily on a bass saxophone and two tenor saxophones to ground the album, which comes across beautifully on “Above the Sun,” shifting from trio saxophones to their almost breathy sound alongside of percussion and synth, then underpinning a sharp yet meandering guitar solo from Simon in the back half of the song. Putting it all together, the band said of “Above the Sun”: “This song is a note to ourselves, a reminder of the complexity of ecosystems, how everything is connected and there are many perspectives to consider. By continually seeking by communicating and asking questions, and by constantly educating ourselves, we will help make the right choices and take steps in the right direction.” —Holly Gordon


‘F–kn in Love’, Fefe Dobson

Hard spring, young lovers! The great Fefe Dobson returns with a fun pop jam romp about post-coital bliss. “Damn you in your birthday suit” is a gift of lyrics: funny, real, and exactly what our own personal hormonal monsters might say as blood surges through our bodies. When Dobson pauses around the two-minute mark and offers the list of things she would do for that person – “I’d walk to the end of the earth for you/Buy a one-way ticket for you/I’d equip yourself and go work for you” – it’s a time to catch our breath and take stock. It’s a genuinely exciting list of metaphorical and practical offerings and it’s a good foundation in this otherwise heady and intoxicating song. —Andrea Warner


‘Good Life (2022),’ Idman

On her latest single, Toronto-born, Los Angeles-based R&B singer Idman doesn’t want to hear all about her ex’s “good good good life,” and who could blame her? Sometimes karma doesn’t work and those who hurt us continue to win and excel, no matter how cruel. Idman wrote a song about how hard it is to watch that person blossom, while you’re still working through how they left you. She taps into a vulnerable and uncomfortable space, the tension in her voice making itself felt as she sings about an extractive partner: “Left me dry and sitting on E/ Who do that?/ You do that .” The video opens in a technicolor world of pink and purple hues, the lightness of the visuals balancing the heartache of the lyrics. The video itself pays tribute to the late Ronnie Spector and the abuse she suffered while married to Phil Spector. There’s a scene where Idman is in a car with a model smoking a cigarette in the passenger seat – a direct reference to one of the few times Ronnie was allowed out on her own, the caveat being that she had to drive with a dummy that looked like Phil. — Kelsey Adams


‘Half Moon’, Fite Pillow

A brief drum roll in a minor chord verse sets the tone for Pillow Fite’s new and third single, “Half Moon,” which comes from a particularly difficult place for the new folk-pop duo from Halifax: the singer Art Ross wrote the lyrics during lockdown, after their partner was diagnosed with melanoma. “‘Half Moon’ is an ode to the grief of seeing a loved one struggle with this life changing event,” they wrote. After singing their fears on every verse (“I’m half scared to death/stuttering in my beard”), Ross’ chorus goes, “You light up the room/the half moon is coming out soon,” they sing, so which guitarist Aaron Green matches with backing guitar, shifting gears from the melancholy opening. “Half Moon” is honest and vulnerable, relying on its grunge influence for a grittier backdrop than previous Pillow Fite singles. It’s perfect for feeling your feelings, then letting the chorus lift your spirits. —HG


“If he rules the world”, Kallitechnis

Juno-nominated Kallitechnis’ latest single is a lament about suffocating, one-sided relationships. “No time to be my own friend,” she sings in the pre-chorus over a softly waltzing doo-wop beat, “Always deal with the shitty ending / I don’t mean to please, I’m just pretending.” Her normally confident voice takes on a fragile character here, emphasizing the interiority of her monologue and the despair it expresses. It’s an interesting detour for Kallitechnis, whose pop/R&B songs usually exude confidence bordering on arrogance, so it’s impressive to see her expand her range and adopt a rather vulnerable tone in such a convincing way. — RR


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]]> Swedish heavy metal band SABATON release their 10th studio album https://triakel.com/swedish-heavy-metal-band-sabaton-release-their-10th-studio-album/ Sat, 05 Mar 2022 17:30:10 +0000 https://triakel.com/swedish-heavy-metal-band-sabaton-release-their-10th-studio-album/

Today, the long-awaited new studio album by Swedish war chroniclers SABATON finally sees the light of day: The War To End All Wars is out NOW. Hailed by international media, the tenth masterpiece of Swedish metal powerhouse is determined to shake the world to its foundations, ushering in a new era in the band’s remarkable career. Stream the album here https://music.sabaton.net/TheWarToEndAllWars, or order your physical copy at https://sabat.one/TWTEAWAlbum.

The band says: “With our latest album, ‘The Great War’, we found that we had only scratched the surface in terms of the powerful stories of courage and bravery, as well as the horrors that took place. during World War 1. Fans would contact us and tell us those incredible stories of WW1 that none of us had ever heard of before Incredible, human stories like the British and German soldiers who laid down their arms on Christmas Eve 1914 to share a moment of peace and reconciliation, right there on the battlefield; or the brave soldiers who fought in the White War, some 12,000 meters above sea level in the Alps, who froze to death and whose bodies remain under the snow to this day. These are wonderful stories about ordinary people who were willing to lay down their lives for something bigger than themselves. my. Marry these true stories with loud, bruising, bone-tingling heavy metal? Adding a second chapter to one of the most chilling and liberating periods in history? Why not like this album?”

To celebrate the release, SABATON released a video for their fourth single “Race To The Sea”. ‘Race To The Sea’ is a song about Albert of Belgium’s decision during World War I to flood the last part of Belgium and, with the help of the water, to prevent all of Belgium from falling in the hands of the Germans.

Watch the video here: https://www.youtube.com/watch?v=m-yrjYF3I8U

“Race To The Sea” is the fourth single from Sabaton’s tenth studio album, The War To End All Wars, which is released today, March 4, 2022 via Nuclear Blast Records. Once again, SABATON will dive deep into the atrocities, miracles and events surrounding World War I and take the listener on an emotional and thrilling 11-track ride. “Race To The Sea” was preceded by the much-loved “Christmas Truce,” the massive hit “Soldier Of Heaven,” and the all-too-popular “The Unkillable Soldier.”

SABATON is a five-piece heavy metal band from Falun, Sweden. Since the formation of the group in 1999, SABATON achieved four platinum sales and gave colossal concerts in more than fifty countries. The band’s ninth studio album, “The Great War”, released on July 19, 2019, is a musically rich concept album capturing the grim atmosphere of World War I – continuing the band’s trademark style of telling unforgettable stories. on ruthless battlefields all over the world. planet.

Sabaton, signed to the world’s biggest heavy metal label, Nuclear Blast Records, has played “The Great Tour” at major European festivals, and throughout North America and Eastern Europe in support of the Great War. SABATON has capitalized on the “COVID downtime” by writing, recording and releasing a variety of standalone singles and music videos. The band played their first post-pandemic date on July 9, performing in front of 40,000 fans when they headlined the Exit festival in Serbia. As you can guess… There’s no end in sight for this unstoppable war machine anytime soon!

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Diane Patterson on New Album ‘Satchel of Songs’ – Santa Cruz Sentinel https://triakel.com/diane-patterson-on-new-album-satchel-of-songs-santa-cruz-sentinel/ Wed, 02 Mar 2022 21:31:05 +0000 https://triakel.com/diane-patterson-on-new-album-satchel-of-songs-santa-cruz-sentinel/

Diane Patterson’s new album – “Satchel of Songs” – will be released on March 8, International Women’s Day. It is her sixth studio album and continues her celebration of life and respect for Indigenous cultures and includes guest appearances by singers Ani DiFranco and Alice DiMicele and kora player Gordon Hellegers. In the spring of 2019 Patterson toured with DiFranco and most recently they became neighbors in New Orleans.

Diane Patterson

Patterson was born in San Diego and raised in Red Bluff, which she describes as “a little shitkicker town in Northern California.” She went to UC Davis where she started playing music and later lived in Santa Cruz and Mendocino. Patterson has performed extensively in Sweden, Denmark and Germany and has another Scandinavian tour scheduled for April. The Sentinel recently spoke with Patterson about his Satchel of Songs.

‘Binder of songs’

Q: “Congratulations on the new album. Tell me about setting up this one.

A: “I recorded most of the album in New Orleans at the studio of Ani DiFranco and her husband Mike (Napolitano), and then we sent pieces to different people,” Patterson explained. “The initial base, other than me and my songs, was Todd (Sickafoose) and Terence (Higgins), Ani’s rhythm section. They played a lot on my ‘Open Road’ album. Todd (bass) soared d’Eugene and Terence (drums) lives here in New Orleans, so he’s been here a couple of times. He’s amazing! I’m so lucky to have him. He played in the family’s Dirty Dozen Brass Band Neville. He’s a super connected and respected drummer here. And he loves Ani, man. He said when he first heard Ani’s music, he was like, ‘How did you get this? concert? I would love to play with her. So, thanks to Ani, we know Terence.

Q: “Do you like living in New Orleans? »

A: “It’s really exciting to be here at the heart of so much music. My mom is actually from Louisiana so there’s kind of an ancestral feeling here as well. It’s really good,” Patterson said. “Our neighbor and friend Ani DiFranco planted a beautiful little magnolia right next to our house this morning. We’re right next to the big seawall. It’s kind of like being in town but we have this big place to play on grass and it’s quiet here. It’s pretty amazing.

Song to Indigenous Peoples

Q: “I’ve always enjoyed the way your music points to life as sacred and all of the ongoing struggles to protect native cultures in places like Big Mountain and Standing Rock. »

A: “The title track — ‘Satchel of Songs’ — is a song of apology addressed to Indigenous peoples by the settlers,” Patterson explained. “An inspiration for this song was my good friend Sara Tone. She was playing her music at an event in Sacramento to raise money for Native activists who had been arrested at Standing Rock for trying to peacefully protect the water. She happened to be the only non-Indigenous person to perform and she publicly apologized to the Indigenous people on behalf of the settlers, for all the wrongs that had been done. I loved that use of the microphone;” Hey, you’re on the mic. What are you going to say? Are you going to make an echo that’s beautiful, that lasts for a while? Or will it just fade away?

“Then I went on tour to my beloved Sweden and met Elin Teilus, a Sami woman. She came to my show in Gothenburg and my partner Sheba said, “You should invite Elin to sing a song. Elin sings joik, a traditional Sami style of singing. It’s reminiscent of something you’d hear in the teepee here on Turtle Island, as it sounds like it’s straight out of the ground. And according to Elin, it is. She told me that she sits on the floor, puts her hand on the Earth, and songs start coming out of her. Elin sang beautiful joik and I sang my song “Esselen People”.

“So I said, ‘I want to apologize to the Sami people for the way they were treated, on behalf of the settlers. I am not Swedish, but a descendant of settlers. Elin received this apology so graciously and said, “My grandfather told me that he dreamed that the tears of his generation and the tears of our generation would come together and create a new era.” And she sang a song inspired by that,” Patterson explained. “It was a moment that really brought us together and I said, ‘I’m going to go home and write an apology song.’

“Around that time, a friend who is an Indigenous woman from the west coast of Canada wrote on Facebook, ‘We don’t want your apology. Apologies do nothing. We want you to participate in dismantling the structures you still benefit from! I thought, ‘Yes. And I’m still gonna do this song. I know an apology doesn’t do much, but it’s recognition, a place to start healing and stop perpetuating violence and racism. “, Patterson continued. “What do they say about artists? It is up to us to comfort those who are going through a difficult time and to make those who are too comfortable uncomfortable.

The elements do not judge

Q: “Your song ‘Maybe Easy’ is about how love and beauty co-exist with heartache and grief. And the song “Steady the Hand” is about child soldiers in Syria.

A: “’Steady the Hand’ is about a lot of things. Who can tell if a person is evil? Can I have some compassion for the way they behave? The song paints an image of war and mentions Aleppo and the crushing of ancient cultures,” Patterson said. “Also, there’s a nod to women who are going through a lot of violence in this world and saying, ‘If you’re going to say a prayer, and if you have a sister, can you say a prayer for her safety? ?

“The song returns to look at the Christian-sounding world that says, ‘If you get forgiveness from God so-called, then whatever you do is OK. That’s not my spirituality at all,” Patterson continued. “I see things differently. I spelled it poetically, ‘If no one taught you how to live / if no one taught you honor / if someone hurt you instead / just know you’re still done of earth / fire gives birth to your heart.’ The elements do not judge your life. They are my gods, but they are not judges. They don’t decide if what you are doing is right or wrong. It’s all up to you to fix things, to make a good echo of your life.

“That song – ‘Steady the Hand’ – was really relevant to the build-up to the Russian attack on Ukraine,” Patterson said. “I think Medea Benjamin may have grabbed the headlines saying, ‘People need to take a step back and pray about this.’ That’s exactly what my song says: ‘Reassure the hand that floats on the trigger / The war is so heavy / Can the people stand back and pray?’ »

celebration song

Q: “Tell me about the song ‘Silk and Honest Pay’.”

A: “It’s a celebratory song. I think it’s my favorite. ‘Silk and Honest Pay’ represents the ancient May Day spring dance celebration,” says Patterson. “There’s a line, ‘I’ll meet you by the well. Imagine meeting someone at the Spring Festival one year and wanting to see them again the next. People come from all over, don’t they? There are no texts. So you say, “Next year I’ll meet you by the well. This song comes from my trips to Denmark a few summers ago. We were able to meet some wonderful women who had attended Viking reenactment fairs and they said, “There is that last line of an old Viking song that was sung by women; “I dreamed tonight of a dream of silk and an honest salary.” I loved it. I ran with it and wrote my own song with that line.

child of the commons

Q: “In the song ‘One Part Corn’ you talk about the commons. Tell me about it.”

A: “The song says; “I was a child of the commons. No one owned the land. The first time I really understood this idea of ​​the commons was when I read Starhawk’s Dreaming the Dark. In the appendix, she talks about how people were pushed out of the commons and lost their native plants and animals and ways of life, which were very integrated,” Patterson explained. “The Crown decided it was going to get super greedy and started exporting wool and it kicked people off the land. I go back to the great connected days before that, what it was like was to be on the commons Whites also have indigenous roots.

Listen to this interview with Diane Patterson at noon Thursday at noon on Transformation Highway with John Malkin on KZSC 88.1 FM / kzsc.org.

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Sabaton singer says Lemmy taught him a ‘lesson’ about being an artist https://triakel.com/sabaton-singer-says-lemmy-taught-him-a-lesson-about-being-an-artist/ Wed, 16 Feb 2022 21:36:59 +0000 https://triakel.com/sabaton-singer-says-lemmy-taught-him-a-lesson-about-being-an-artist/

During a recent interview with the German metal hammer magazine, SABATON a singer Joakim Broden showed covers of several back issues of metal hammer and was invited to comment on each of them. When he saw a cover featuring the iconic MOTORHEAD leader Ian “Lemmy” Kilmister, Joakim said: “I met him the first time [in] 2005 or ’03 to Swedish rock festival. I saw it coming. I was standing in the backstage bar. He arrived and was about to order a drink. And I knew he liked Maker’s Mark whiskey. I mean, he likes Jack Daniel’s, and that’s what he usually drinks, but he also liked Maker’s Mark. So I ordered him a double from the other bar, and when he got it, the bartender kind of showed [to Lemmy], ‘It’s from him.’ So he came over and we talked for a while. And he taught me a lesson about being an artist. It was being very nice and polite even if you don’t know the person. And we spent the time drinking. I was like, ‘You don’t have to stay here and hang out with me all the time.’ And he was, like, ‘I think that’s a good thing. You bought me a good whiskey. And I’m having fun. So I asked him, kind of, ‘What do you mean?’ [He said], ‘Yeah, I can pass the time drinking the whiskey you bought me with you. Or I can say no. That was a pretty nice thing to say. Then I asked, ‘What would have happened if I had been an asshole?’ And he was, like, ‘I can drink whiskey really fast.’ [Laughs]”

SABATONthe tenth studio album by, “The War to End All Wars”will be released on March 4 via Nuclear Explosion Records. Written and recorded during the global COVID-19 pandemic, the 11-new song concept album once again delves deeply into the atrocities, miracles and events of the First World War of the early 20th century. The Falun-based band’s tenth album five pieces will be available in an impressive variety of exclusive formats, including CD, vinyl and cassette, with most being available in limited editions.

SABATON are considered one of the most important bands to emerge from the Swedish modern metal scene, having been honored with five Metal Hammer Golden Gods Awards (including “Best Live Band” three different years) and nominated several times for the Swedish equivalent of Grammy Awardsthe Grammis. In 2016, SABATONit is “The last Stand” album debuted at No. 1 in three different European countries and cracked the Top 3 in four others. Joakim Broden (singing), By Sundström (low), Chris Rorland (guitar), Hannes Van Dahl (battery) and Tommy Johansson (guitar) organize their own festival, Sabaton in the open airwhich started in 2008, as well as their own avant-garde Sabaton Cruise which has been going on since 2009.

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Winning The Masked Singer gave me confidence, says Natalie Imbruglia https://triakel.com/winning-the-masked-singer-gave-me-confidence-says-natalie-imbruglia/ Mon, 14 Feb 2022 21:48:00 +0000 https://triakel.com/winning-the-masked-singer-gave-me-confidence-says-natalie-imbruglia/

ELLE is the music star of the 90s who went from the top of the charts to the bottom.

But now Natalie Imbruglia is ready to play the fame game again after resurfacing the spotlight when she was unmasked as Panda – winner of The Masked Singer over the weekend.

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Natalie Imbruglia is ready to play the game of stardom again
She was unmasked as Panda in The Masked Singer last weekend

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She was unmasked as Panda in The Masked Singer last weekend

Next on the agenda is a new album and a UK tour, after years of songwriter blocking.

So, does it all come down to a cute, furry panda costume?

Natalie, 47, said: “Timing is everything. I felt really good and I’m a mom. I think the idea of ​​dressing up is more appealing when you’re a mom.

“I changed, so that was probably a big motivator. Back then, you worried about what people would think, and I don’t care now. I think it’s age and wisdom, isn’t it?

“You’re just a little exhausted worrying about it, being in the public eye. But it’s nice to be somewhere where you can put on a show like this and enjoy the fun and not take yourself too seriously.

At 17, Aussie Natalie achieved great success when she joined the cast of Neighbors, then two years later quit to pursue a music career.

She impressed record labels with her demo of the song Torn, and in 1997 it became her debut single, selling over 4 million copies worldwide.

She went on to sell 10 million albums, had five UK top ten and ten top 40 singles, three top ten albums, plus two Brit Awards and three Grammy nominations.

Limit

Natalie was a pop star.

But trouble started when his label rejected his third album as too rock for radio play, then told him to record new songs with Swedish producers Bloodshy & Avant before leaving the label.

This third album, Counting Down The Days, was finally released on another label in 2005. But then she was forced to release a compilation of her ten years of music and left the second label.

Despite collaborating with Coldplay’s Chris Martin on his fourth studio album, Come To Life in 2009, it bombed in Australia and its UK and US release was cancelled.

It was then that Natalie disappeared from the public eye.

Natalie said: “I think I wasn’t having the best time of my career and I think I felt like I wasn’t good at something.

“That’s my confidence – no matter what field you work in, I don’t think success means you’ll never be insecure.

“So I just went through a period where I was like, ‘I can’t do this. I’m not good at it.” And it went on too long.”

In 2015, Natalie released Male, an album of covers of songs by male artists. But it took three years before she felt capable of recording her own music again.

She said: “It wasn’t until I went to Nashville and took a writing trip that I got over that. [insecurity] because I just thought, ‘Throw me in the deep end, give me 10 days and two sessions a day’.

“And I wrote this song called When You Love Too Much, and I was like, ‘I’m really proud of it. It’s a really good song.

“And then it was great because regaining your confidence, when you didn’t have it, is the greatest gift.

“It’s nice to have that feeling and to have a really creative shine.”

The song is at the heart of Natalie’s album Firebird, which was released in September last year but has been revamped following her success on The Masked Singer.

Along with rekindling her interest in songwriting, Natalie also fulfilled her dream of becoming a mother.

She had divorced Australian rocker Daniel Johns in 2008, but in October 2019 she surprised fans by revealing she was expecting her first child via a sperm donor.

Max Valentine is now two years old and Natalie has dedicated her time on The Masked Singer to her toddler.

That’s my confidence – no matter what field you work in, I don’t think success means you’ll never be insecure. So I went through a period where I was like, ‘I can’t do this. I’m not good at it.” And it took too long.

She said: “He has a little panda when he goes to bed at night, so I suggested we wear the panda outfit. I asked, ‘Would it be okay if I could be a panda?’

“He loves it, the only problem now is that every time he sees a panda he says, ‘Mom, mum!’

“I suddenly realized I had to be very careful because we were at the airport and someone had a little girl who had a wheelie bag with a panda on it and she was like, ‘Mommy, mommy!’ like that – he loves it.

“I was like, ‘Shhhh!'”

Natalie’s costume was jam-packed with clues to her identity, but the show’s judges – Mo Gilligan, Davina McCall, Rita Ora and Jonathan Ross – suspected Panda was Amanda Holden, Billie Piper or Lisa Stansfield.

Natalie said: “100% I actually saw it as an acting job. “I stayed in an American accent from the moment I got in the car to the studio. I simply loved it.

“With the whole costume element, I realized things didn’t read very well. So, for example, when Panda had his arms down, he looked bored.

“So I was like, ‘Oh my god, I gotta keep moving my arms.’ So you’re trying to sing along and make Panda look funny.

“It was like becoming a sort of puppeteer. I really enjoyed the challenge.

When Natalie was announced as the winner, not everyone was so happy and took to social media to mark her victory as a solution.

They were angry that studio audiences ranked Panda above Mushroom, Charlotte Church, and Robobunny, Westlife’s Mark Feehily.

But Natalie said: “I think it’s wonderful that people are so invested in the person they’re a fan or follow, that they feel so strongly about it.

“But my experience on the show has been such amazing camaraderie.

“It’s a fun family show. I don’t think he should be seriously competitive that way.

“And I hope the bottom line is that people really enjoyed the fun that we all had on the show. Everybody’s a winner.

Fans were also surprised to see Davina’s overreaction to seeing her friend revealed as Panda during the ITV show’s finale.

Natalie explained that the two had been friends for a long time.

She said: “Davina DMed me afterwards, saying, ‘Oh my god, I can’t believe this.

“And we have this back and forth conversation. She said, “I don’t think you understood that you just won an eight week competition”, and it’s true, I didn’t expect to win.

“I was convinced that Mushroom had won it, so I was just as dumbfounded.

“But yeah, she was really funny and she was talking about the host [Joel Dommett] because he was freaked out enough that I hugged him all week.

“So that was pretty funny.”

Natalie’s win comes days after news broke of the cancellation of Neighbours, the soap opera that made her famous as a teenager.

Her character, Beth Brennan, is one of the Channel 5 show’s most legendary characters.

Natalie moaned, “I’m really sad! I think we all love Neighbors, growing up with it.

“And I think it should go on forever. I mean, it’s just a parody.

“So wherever the petition to save Neighbors is, I’ll sign it, I’m on board.

“So wherever the petition to save Neighbors is, I’ll sign it, I’m on board. I have a son on the show – Beth Brennan’s son is on the show. So I’m rooting for him to stay at the antenna.

Rumor has it that fellow legends Kylie Minogue and Jason Donovan could return for one final episode. So, would Natalie consider joining them on Ramsay Street?

“I would think about it, yeah. Like I said, have more fun, take life less seriously.

“I would consider going back. I think it would be nice to walk through those doors.

“I mean, I probably won’t recognize anyone – not even my son.”

  • Natalie has a new album, Firebird, and a single called Nothing Missing Out Now.

Nat’s Facts

1975: Natalie was born in Sydney, the second of four daughters to an Italian father and a mother of Irish, Scottish and English descent.

1992: Debuted on Neighbors as Beth Brennan, left two years later.

1997 : The first single Torn was released, reaching number two here and the album Left Of The Middle followed, selling seven million copies.

2001: The second album White Lilies Island limps to a million sales.

2003: The label reportedly rejected his third album. She plays Rowan Atkinson’s love interest for Johnny English.

2005: Release of the album Counting Down The Days, which sold just over 200,000 copies. But the first single Shiver became the most played song on the radio of the year.

2007: Release of the album Best Of.

2009: The fifth album Come To Life fails in Oz and is canceled in the United Kingdom and the United States.

2021: Firebird album release.

2022: Win the Masked Singer.

She's ready to rock with a new album and a UK tour

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She’s ready to rock with a new album and a UK tour
Natalie Imbrugila was a superstar

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Natalie Imbrugila was a superstar
The trouble started when his third album was rejected by his label as too rock

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The trouble started when his third album was rejected by his label as too rock
In 2015, Natalie released an album where she covered songs from male artists, called Male

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In 2015, Natalie released an album where she covered songs from male artists, called Male
But it wasn't until 2018 that she felt able to record her own music again.

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But it wasn’t until 2018 that she felt able to record her own music again.
Natalie's album Firebird has been revamped following her success on The Masked Singer

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Natalie’s album Firebird has been revamped following her success on The Masked Singer
Masked Singer Champion Reveals Her 2-Year-Old Son Almost Exposed Her As Panda And She Used American Accent Backstage
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Sabaton Singer: “It will take the threat of prison or bankruptcy to prevent us from filming” https://triakel.com/sabaton-singer-it-will-take-the-threat-of-prison-or-bankruptcy-to-prevent-us-from-filming/ Tue, 08 Feb 2022 16:46:52 +0000 https://triakel.com/sabaton-singer-it-will-take-the-threat-of-prison-or-bankruptcy-to-prevent-us-from-filming/

Swedish steelworkers SABATON were recently forced to postpone their European arena tour, which was scheduled to take place in March/April 2022, “due to continued COVID-19 pandemic restrictions on live events and global travel”. However, SABATON leader Joakim Broden say to finland Tuonela magazine that he and his bandmates still expect to hit the road again later this year. “That’s our main priority,” he said. “And the only reason we’re not on tour is that we physically can’t or aren’t physically allowed to. It’ll take the threat of jail or bankruptcy to stop us from doing it. Unfortunately, when it’s It’s about touring, dealing with a tour in several countries, it’s much more complicated than just one because of the governments, so that’s unfortunately the reason why we had to postpone the European tour. country everyone gave us a thumbs up and it’s clear we can do it, in other places it wasn’t clear, in some places it was a clear no, and at this we can’t physically do the tour, which is sad. But new plans are being made right now. And I’m not too pessimistic, actually, about 2022. In actually, quite the contrary. Damn, I can get back on stage. And that’s a good thing.

SABATON will be on tour in support of their tenth studio album, “The War to End All Wars”which is expected on March 4, 2022 via Nuclear Explosion Records. The 11-new song concept LP was written and recorded during the global COVID-19 pandemic and once again delves deeply into the atrocities, miracles and events of the First World War of the early 20th century.

In a recent interview with Canada’s The voice of metal, Broden said about the musical direction of SABATONnew material: “It’s really a SABATON album this way. We have always been an evolutionary group and not a revolutionary group. There are always surprises on a SABATON album but we’re never going to flip the coin and do something totally different on every song on a new album. There will be surprises on each album.

“It’s always subjective,” he continued. “I think it’s pathetic when an artist says, ‘This is the best album we’ve ever made’ and they keep pushing the same tired line. I say it’s up to the listener to decide that, but I know for a fact that everybody in the band, not even sitting together in the same room, because I kind of sent the premixes to everybody, and everybody — that’s the only time in our story that it happens — everyone came back with ‘Damn. great.’ Everyone is super happy with the production. We were always happy before, but it was, like, ‘Maybe this, maybe that.’ Now it was more like, ‘Okay, yeah, I have some suggestions and ideas, but wow.’ We’re really happy with the sound.”

SABATON are considered one of the most important bands to emerge from the Swedish modern metal scene, having been honored with five Metal Hammer Golden Gods Awards (including “Best Live Band” three different years) and nominated several times for the Swedish equivalent of Grammy Awardsthe Grammis. In 2016, SABATONit is “The last Stand” album debuted at No. 1 in three different European countries and cracked the Top 3 in four others. Joakim Broden (singing), By Sundström (low), Chris Rörland (guitar), Hannes Van Dahl (battery) and Tommy Johansson (guitar) organize their own festival, Sabaton in the open airwhich started in 2008, as well as their own avant-garde Sabaton Cruise which has been going on since 2009.

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David Bromberg brings his Big Band to the Colonial Theater [Events roundup] – Reading eagle https://triakel.com/david-bromberg-brings-his-big-band-to-the-colonial-theater-events-roundup-reading-eagle/ Wed, 26 Jan 2022 10:00:54 +0000 https://triakel.com/david-bromberg-brings-his-big-band-to-the-colonial-theater-events-roundup-reading-eagle/

The following events are planned for the coming week across the region:

• David Bromberg and his Big Band bring his Spirit of 76 Birthday Bash to the Colonial Theatre, Phoenixville, for a concert Saturday at 8 p.m. An Americana icon, Bromberg, who turned 76 in September, celebrates on the road with his band which includes Berks Countian Josh Kanusky on drums. Bromberg’s stellar career began in 1971 with the release of his self-titled debut album, which led to collaborations with artists including Bob Dylan, Jerry Jeff Walker, John Hartford, George Harrison, the Grateful Dead, Emmylou Harris and Bonnie Raitt. . His band’s latest album, 2020’s “Big Road,” features 12 new tracks, five performance videos and a mini-documentary detailing the making of the album. Opening Saturday’s concert will be country singer-songwriter Zephaniah OHora. Tickets range from $39.50 to $69.50 on thecolonialtheatre.com.

• West Reading will host its fifth Ice n Spice festival from Friday to Sunday in the 400 to 700 blocks of Penn Avenue. Nationally acclaimed pumpkin carver Danny Kissel of Kissel Studios in Cumberland County will once again lead a talented group of local carvers, sawing and carving rectangular blocks of ice into crystal-clear sculptures outside businesses along the ave. Additionally, many companies will offer discounts and other promotions based on the theme of the festival. Festival hours are 5-9 p.m. Friday, 11 a.m.-8 p.m. Saturday, and 11 a.m.-5 p.m. Sunday. For more information, see • westreadingicenspice.com.

‘Jersey Boys’ arrives at Santander Performing Arts Centre, Reading on Tuesday evening.

• The touring production of the Tony, Grammy and Olivier award-winning musical ‘Jersey Boys’ stops at the Santander Performing Arts Centre, Reading, on Tuesdays at 7.30pm. The show takes you behind the scenes – and behind the music – of Frankie Valli and The Four Seasons as they make their way from the streets of New Jersey to the Rock and Roll Hall of Fame. It includes hits such as “Sherry”, “Big Girls Don’t Cry”, “Walk Like a Man”, “Can’t Take My Eyes Off You”, and “December, 1963 (Oh What a Night)”. Tickets start at $42.50 on ticketmaster.com.

• The Met: Live in HD presents “Rigoletto” on Saturdays at 12:55 p.m. in select theaters. Verdi’s masterpiece hits the big screen in a bold new staging from the Metropolitan Opera, hailed as “an intriguing new Rigoletto” by The New York Times. Baritone Quinn Kelsey sings the title role, alongside soprano Rosa Feola and tenor Piotr Beczała, under the direction of maestro Daniele Rustioni – live from the Met stage at the cinemas. An encore screening is scheduled for Wednesday at 6:30 p.m. For an overview of participating theaters and to purchase tickets, visit fathomevents.com.

• Ardmore Music Hall presents Strangelove: The Depeche Mode Experience opening with Electric Duke, a tribute to David Bowie, Thursdays at 8 p.m. Fridays at 8 p.m. feature singer-songwriter Jake Scott, opening with Josie Dunne. And Saturday at 8 p.m. is Class of ’91, a celebration of Metallica, Nirvana and Pearl Jam, with Orion performing Metallica’s “Black Album”, Love Killed Kurt performing Nirvana’s “Nevermind” and Last Exit performing “Ten by Pearl Jam. For more information and tickets, visit ardmoremusichall.com.

Comedy trio My Name Is Not Mom come to Santander Performing Arts Centre, Reading on Saturday.

• Comedy trio My Name Is Not Mom come to Santander Performing Arts Centre, Reading, for a show on Saturday at 7.30pm. Internet sensations Meredith Masony, Tiffany Jenkins and Dena Blizzard take a deep dive into motherhood through hard-hitting and insightful imagery. humor. They share their views on motherhood through toddler sleepless nights, middle school craziness, and tough high school years. The show includes stand-up, stories and videos from their online community and audience interaction. Tickets start at $39 at ticketmaster.com.

• SoulJoel’s Comedy Club features Ted Alexandro Fridays at 7 p.m. and Adrienne Iapalucci Saturdays at 7 p.m. at its pop-up location at Westover Golf Club, Jeffersonville. Alexandro has appeared on the late night shows of David Letterman, Conan O’Brien, Jimmy Kimmel and Craig Ferguson, and “The View.” He had two half-hour specials on Comedy Central and performed at iconic venues like Carnegie Hall, Madison Square Garden and the Sydney Opera House. Iapalucci debuted on NBC’s “Last Comic Standing.” She’s appeared on Netflix’s “Degenerates,” “This Week at the Comedy Cellar,” “The Late Show with David Letterman,” and “Gotham Comedy Live” on AXS TV. For tickets and more information, visit SoulJoels.com.

• Swedish melodic death metal pioneers Dark Tranquility play Reverb in Reading with special guests Kataklysm and Nailed To Obscurity on Saturday at 7 p.m. Last year, Dark Tranquility released their seventh studio album ‘Moment’, their first release in over four years since their Grammy-nominated album, ‘Atoma’. The band won a Swedish Grammy with the new release and featured two top guitarists, Christopher Amott (ex-Arch Enemy) and Johan Reinholdz (Nonexist). Tickets are $25 at reverbconcerts.com.

• The Sellersville Theater hosts Michael Borowski, longtime pianist of the Grateful Dead tribute band Splintered Sunlight, Fridays at 8 p.m., Craig Thatcher’s Eric Clapton Retrospective Saturdays at 8 p.m., and the Eric Mintel Quartet’s tribute to Dave Brubeck Sundays at 2 p.m. Wednesdays at 8 p.m., Eric Hutchinson hits headlines in support of his jazz-rooted pop CD “Before and After Life,” opening with Chris Kasper. For tickets and more information, visit st94.com.

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The 10 best songs of 2021 https://triakel.com/the-10-best-songs-of-2021/ Mon, 24 Jan 2022 02:51:20 +0000 https://triakel.com/the-10-best-songs-of-2021/

Included on this list are loud anthems played around the world; beautiful intimate ballads and underground hits that push the limits. Although the songs presented in this article are of great diversity, they all share a common thread: excellence. There is no doubt that each of the songs on this list will end up in the music history books. In no particular order, here are the 10 songs the authors of the Michigan Daily Music Beat consider the best of 2021.

— Kai Bartol, Music Rhythm Editor and Rosa Sofia Kaminski, Senior Arts Editor

“Family Bonds”, Baby Keem ft. Kendrick Lamar